“No Air Left” uses helium-filled balloons printed with images taken from TripAdvisor to reflect, with irony, on mass tourism. The playful, carefree object—tied to childhood and festive imagery—thus turns into a critical device capable of narrating the ephemeral, the precarious, and the inflation of contemporary tourist experience.

The selected images, chosen for their unintentionally ironic undertone, offer a visual repertoire in which the dream of vacation intertwines with the ridiculousness of the everyday. Printed on the unstable surface of the balloons, these photographs become fragile icons, ready to burst or dissolve.

The viewer, immersed in a space saturated with these simulacra, perceives the same sense of suffocation that characterizes many contemporary tourist destinations. The work becomes a device of identification, physically conveying the condition of places overrun and deprived of breath.

No Air Left does not simply criticize overtourism, but highlights its paradoxical nature: an economy built on the immaterial—on air—that nonetheless produces concrete and devastating effects.